Jai Ho is a 2014 Indian Hindi action drama film directed by Sohail Khan and produced by Sohail Khan along with Sunil Lulla, starring Salman Khan, Tabu and newcomer Daisy Shah in major roles along with Sunil Shetty (cameo) andGenelia D'Souza (cameo). The film has Tabu playing Salman's sister while Danny Denzongpa plays the main antagonist.The basic premises of the plot has been inspired from Pay it Forward and Telugu Film Stalin directed by A. R. Murugadoss. Box Office India declared the film a super hit in India It received polarised reviews from critics and by the public audience pole of 2014 Salman Khan had received full ratings.
In “Jai Ho”, the new action-drama-cum human message movie starring Salman Khan, no good deed goes unpaid, and no hoodlum is left without a body-bag (or at least, an arm in a sling). The last bit is of course rudimentary.Mr. Khan’s recent milestone-climbing resurgence is more or less centered on being a good-guy (or a good-bad guy), delivering punches and punch-lines, while romancing his leading ladies during sing-songs. It’s a winning, clear-cut, “trending” formula – and, maybe, a just demand from Mr. Khan’s audiences. Because Mr. Khan himself is a trending commodity, one shouldn’t fault the man into trying out something, so very slightly, out of the ordinary – as long as the movie is gift-wrapped in commercial wrappings.
In “Jai Ho”, the new action-drama-cum human message movie starring Salman Khan, no good deed goes unpaid, and no hoodlum is left without a body-bag (or at least, an arm in a sling). The last bit is of course rudimentary.Mr. Khan’s recent milestone-climbing resurgence is more or less centered on being a good-guy (or a good-bad guy), delivering punches and punch-lines, while romancing his leading ladies during sing-songs. It’s a winning, clear-cut, “trending” formula – and, maybe, a just demand from Mr. Khan’s audiences. Because Mr. Khan himself is a trending commodity, one shouldn’t fault the man into trying out something, so very slightly, out of the ordinary – as long as the movie is gift-wrapped in commercial wrappings.
In “Jai Ho” Mr. Khan, who plays Jai, an ex-army man relegated to civilian status, has a sudden revelation after delivering a stolen baby to its parents: why not tell the parents to pay the kindness forward by helping three other people in return. Carried away by the whim of his idea, Jai begins doodling stick-figures and jotting down multiplying arithmetic numbers. The idea is preposterous, but doable – depending on who stops the buck. (The notion of helping three people, by the way, is lifted from the novel-turned-movie “Pay It Forward”, from a long-standing concept of the same name).
The rest of “Jai Ho”, a ditto-copy of A R Murugadoss’ “Stalin” starring Chiranjeevi as Mr. Khan’s original, is about the usual stuff: Jai falls in love with his next door neighbor (an okay-ish Daisy Shah), has a strong-willed sister (Tabu), two friends (Yash Tonk and Ashmit Patel), contends with villains (Danny Denzongpa, Aditya Pancholi, Sharad Kapoor, Sana Khan) and meets about a dozen supporting actors playing bit parts.While Mr. Murugadoss’ version works-up a protracted (and unwelcomed) running time of nearly three-hours, “Jai Ho” prudently slashes off an hour of deviating excesses – including Mr. Chiranjeevi’s juggernaut-like indestructibility from “Stalin”.The screenplay (co-authored by Mr. Murugadoss and Dilip Shukla), often a literal paste-up of scenes and dialogues, does bridge some of the original’s more inane narrative loopholes, linking up supporting characters into a better chain of events – at least on paper.On the frames, however, there is a major glitch: director Sohail Khan.
Mr. Khan, the other Mr. Khan’s brother, has a loose handle on his scenes, almost as if the “Jai Ho” was shot in a rushed production schedule. The performances, especially of Jai’s mother played by Nadira Babbar, are off-key, the scenes fall over themselves (badly timed edits or a gap of bridging shots), the lighting design is overly bright without dimensions and the camera moves – or even its static placement – is abortive.
To be clear: Mr. Khan, despite the stuffed up commercialism, wears a droopy look for a good bulk of “Jai Ho” – as if he’s almost sure of the concept’s imminent demise by self-seeking people, who may just be hoorah-ing at the movie’s box-office predictions and not the morals of the story.This is a unexpected package of action.love & thrill that’s the best reason to watch this movie for a full entertainment package.
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